New video for Ghislain Poirier’s Blazin’:
Free Blazin’ remix MP3s
A Place For Fiends
New video for Ghislain Poirier’s Blazin’:
Free Blazin’ remix MP3s
Zulu and I are takin’ over the sound-system at this mega-warehouse party on Saturday. We’ll be performing from 11pm to midnight and there’s tons more on the agenda too, including sets by NYC’s Subswara crew, Searchl1te, Jeekoos, RadioHiro, DJ Warp, and many more.
It all takes place in 3 large spaces, each with it’s own Funktion One sound-system, in addition to a wide range of live video, installations, performances, and other art/sculpture/media.
In keeping with our last Track of the Week we bring you another
bassline-house mashup, this time by Bristol, UK-based Steak House crew.
This is also a teaser of sorts for the upcoming DJ C & Zulu Gods & Robots mixtape which will feature an original Atki2 (of Steak House) production with Zulu.
A couple months back we posted a bunch of Zulu’s a capellas here and challenged folks to “download - remix - upload.” Many of the wicked tunes that we got back will be featured on the upcoming Gods and Robots Mixtape; a 31-track, 1-hour continuos DJ C mix of Zulu’s vocals backed by hype party tracks from producers the world over (Argentina, Belgium, Canada, England, Israel, Portugal, and cities across the U.S. are all represented). Guest vocal appearances by Los Angeles rappers Aceyalone and Jah Orah, plus Tel Aviv singer Onili, round out the productions by artists like Montreal’s Ghislain Poirier, Brooklyn’s David Last, Tel Aviv’s Sabbo, and many others. The mixtape will be followed by a Gods and Robots EP, but more on that later.

Gods and Robots Sketch by Jeekoos and Michelangelo
MP3 Download
First up, for all who haven’t seen this: Google Maps Drug Deal! Right here in beautiful Chicago, Illinois. There’s a license plate number and everything. Here’s a screen shot, for when Google eventually gets this removed.
There are all sorts of webbernets nerds buzzing about this pic and how it relates to our PRIVACY and PERSONAL FREEDOM and OMGZ GOOGLE IS TAKING OVER OUR LIVES and BIG BROTHER and all that, but really I think all that can be avoided by operating on a simple principle that has served me well throughout the years: “don’t sell drugs in the street when a car covered in cameras rolls by”.
In related news, Dizzee Rascal has a new video, with Bun B from UGK. It’s called “Where Da G’s”, and it’s filmed in Houston, and it’s all about what an accomplished crack dealer Dizzee Rascal & Bun B are, and how you (and all those other “fake” rappers) claim to be accomplished crack dealers when you really aren’t. It’s full of shots of a specifically American vision of ghetto life: windowless bungalows with spacious, grassless lawns; giant American hoopties; craps games; etc. Take a look:
I find this pretty revolting for a few reasons:
1) Could Dizzee possibly be trying any harder to blow up in America? This really looks painfully forced..it reminds me of when The Prodigy came out with Firestarter.
2) Maybe this makes me a bigot (or maybe I’m just rooting for the home team), but I just absolutely refuse to believe that any Englishman is as hard as your worst (or even average) American thug. I’m not saying that the British are weaklings or anything, and I certainly don’t think American gangsters are the toughest on earth, but the very fact that Dizzee talks about KNIFING somebody in his track is telling–KNIFING somebody? really? Stabbing is a crime for hoboes, prison inmates, and Europeans–here in the western hemisphere we SHOOT people, thank you kindly.
3) COKE RAPS ARE SO PLAYED OUT. Can we pleeeease PLEEEEEEEEASE move on to an era where hip hop is either a) dead or b) interesting again or at the very least c) not ethically reprehensible? Don’t get me wrong, I have always been one of those bleeding heart free speech ultra-liberals who thinks crack should be legal and people should be able to say just about anything in any format they want (including on radio, FCC guys) and I’ve always laughed at the crusty right-wing culture terrorists who think that rap and video games are the downfall of society, but at a certain point I have to admit that songs like this fall into the same category as torture in films and television–certainly these artforms are reflections of endemic problems with our society, but at the same time they are helping to glorify and lionize a lot of harmful, dangerous, and unethical behaviors, and I can’t help but believe that an absence of such treatments of this subject matter in hip hop would be a positive thing.
Ok, enough of me and my soapbox.
My friends over at The Echo Nest have done it again. This time they’ve got a wacky new web 2.0 music app called “This Is My Jam.” It’s still in beta, actually I think it may still be in alpha but they’ve given me the go ahead to share it with y’all.
Here’s how it works: Use the search box to find music you like and then drag favorite tracks into your “jam.” Once you’ve got a bunch of tunes lined up, hit the button and the app makes a beat-matched mix of the tunes you selected. That’s right, the internets can now beat-match! Bye bye DJs? Well, maybe not yet. The mixing is far from perfect, but check it out, there are actually some interesting blends. Here’s one of my “jams”:
If that amazing mix has got you just begging for more you can check out my other jams too. And while you’re there why not sign up to make your own jams and socialize by befriending other folks who’s jams you like. You can even subscribe to RSS feeds of people’s jams.There are obviously some kinks to work out of the system still but I’m excited to see where this thing goes. If you do go try it out I’m sure the Echo Nester’s would appreciate your feedback.
This is crunkstep if I ever heard it. Houston, TX based Squincy Jones is on that screwed-dubstep-nintendo shit that you’ve heard in your dreams but you didn’t consciously realize existed yet.
In his words:
I worked on this bad jackson for about 2-3 weeks. I had a couple beta versions I worked on and slowly kept adding to it. I’m very proud of it. It combines three of the raddest things to ever happen to music.
- Dubstep
- 8bit Nintendo Loops
- Rap
From awwready.edu
Download
Tracklist
I know, I know, I can’t stop writing about these guys, but they’re MY BABY! (read: my conflict of interest.)
They’ve got a brand spankin’ new video that just debuted on p-fork, and I think it’s pretty great. Here’s the Pitchfork link, but I’ll go ahead and embed the video here too:
Back in the mid ’90s I used to go to parties where the Beyond the QE2 crew would be throwing down, and they’d always play an inspiring mix of IDM, techno, jungle,
house, rave, etc, in addition to a new sound out of Baltimore that they called Baltimore breaks.
I loved this Baltimore sound and couldn’t understand why it was impossible to find the records they were playing. As it turned out Tim Haslett was getting them directly from the sources in Baltimore and the QE2 crew were buying them all out before they even hit the shelves at Boston Beat. None the less, those shelves were stocked with the freshest electronic-dance-music in the land, as were the shelves at Biscuithead, Other Music and whichever other shops Tim worked at. That Baltimore sound is of course what went on to become known as B-more club which only finally blew up over the past few years. Tim knew it was good then and I thank him for bringing the sound to Boston.
I used to go to Other Music when Tim was a buyer there and he always loved chatting about music. He’d tell me which his favorite recent Breakcore releases were, and then go on about productions by the Neptunes, practically in the same sentence. His knowledge was so deep. I hadn’t seen him in quite a while but was very saddened to hear that he passed away last week. I’ll always remember him as a music luminary with an ear to the deep underground and a knack for shining light on sounds that were otherwise difficult to uncover. This one’s for you, Tim.
DJ C; Baltimore mix download and tracklist ->
There will be an open tribute to Tim at Beat Research, Monday ->
More online tributes:
From DJ Teep of the QE2 crew on Moodmat ->
From David Day on the Weekly Dig blog ->
Update
Concise list of tributes and information on the WZBC blog ->
Once upon a time a crew of Boston rhythm scientists spent months locked away in the labs developing fresh beat formulas especially for the dance-floor. The outcome of
their experiments is a new fusion of sounds influenced by dubstep, Baltimore club, German techno, reggae and more.
Recently, [DJ C and DJ Flack] were among the artists featured on the (((Re:Sounnd))) compilation, coinciding with a gallery exhibition that studied the links between outlaw soundsystems and the creation of indigenous electronic music scenes from Jamaica to detroit to the UK. That comp was the debut of ‘Boston Bounce’ — think Baltimore club with a triplet swing beat thrown in — created… as Boston’s own local contribution to that pantheon.
- The Fader
You may have heard some of DJ C’s Boston bounce tracks, like his remix of M.I.A.’s U.R.A.Q.T. on her Galang ‘05 single (XL Recordings), or his productions with Zulu for the Death$ucker and Community Library labels. But here for the first time is a compilation that brings together 14 bouncy bangers from various Boston beat maestros that are sure to feed your need for that next level.
The album is exclusively available in the Mashit MP3 download shop, in high quality 320kb MP3 format, and it’s properly tagged including BPM info for those DJs among you. Buying the full album saves a few bucks — get all 14 tracks for only $8.99, plus get the fabulous cover-art by Caracas, Venezuela-based Inkcore.
Preview Selected Tracks
DJ C & DJ A; Mega Bounce Robo Orgy
DuoTone; Boston Swing
DJ C; Boston You’re My Bounce
DuoTone; Dread Bounce
Local Fields; Rain Day
Boston Bounce DJ Mix
Some of the tracks on this compilation are featured in the following mix:
DJ C; Boston (MP3 Download)
Tracklist
The following message just dropped into our inbox.
This site used to be awesome and deserve the title of mashit.com Now all you have is crap RnB beats and dodgy dance shit. What happened to all the Aaronspectre, Bongra, DJC (his decent mixes like breakment), shitmat, dj sockmonster, dj skunk, enduser???
At this rate you should think of changin your name, get rid of the first few letters or something.sorry to sound like an asshole, but your site used to be awesome. I’ve given up on it now and its not just me, everyone i know who’d listen to our style music has said how shit this site has become and that they never come on it anymore.
just thought you would like some feedback
Han-
Thanks for the feedback, Han. I’m sorry that you and your friends don’t appreciate the direction that Mashit has gone in. Our tastes are eclectic and therefore we’re not interested in being locked in to any one kind of music. We enjoy the style of music you’re talking about and often post about it on this blog, but we would get board real quick if that’s all we posted about.
In addition to all our “crap RnB beats and dodgy dance shit” we’ve posted the following DJ mixes you might like:
You may also appreciate these titles we’ve recently released in our MP3 download shop:
We’ll go out on a limb and post some goofy stuff here sometimes because we like to have fun and not take ourselves to seriously, but we also have a deep passion for music of all kinds and are interested in exposing our readers to new sounds which may fall outside their comfort zone.
Bottom line: We’re not trying to appease a particular audience. We’re just doing what we enjoy and apparently some of our 2,500 monthly returning visitors like it too.
Thanks again for the feedback.
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