Here’s another in our series of Zulu remixes leading up to the release of the Gods & Robots album Tuesday.
This mix of Ransom The Senator is from Córdoba, Argentina-based Frikstailers, who also have a tune on the Gods & Robots Mixtape. The track will also be featured on their forthcoming debut 12-inch vinyl release on the Glasgow, Scotland label Revolt Into Style.
Although the Gods & Robots Mixtapehas already been released, the awesome remixes continue coming in. We’re gonna share a couple of them with you over the next few days in anticipation of the Gods & Robots album coming out in the Mashit MP3 download shop next Tuesday, May 13.
This remix of Body Work is by Sabbo from Tel Aviv, Israel. He’s got a tune on the Mixtape too. Check it:
I was reading the New Yorker this week and came across an article by Sasha Frere-Jones in which he coined the term “lazer bass” to describe the music of Montreal-based party crew Megasoid. Ghislain Poirier used to call the genre “big asshole bass” or “big ass bass.” accurate descriptions but less likely to fly as an official term than lazer-bass.
He says lazer-bass is “a loose affiliation of musicians in California, Montreal, and Glasgow.” That seems true, but I would argue that the affiliation goes far beyond the 3 locals mentioned.
Vancouver, BC for example; check out the track She Lives in San Fransisco on the Myspace player of Max Ulis. He, along with Taal Mala and the Lighta Sound crew, has been rokin’ the sound for a while now. Meanwhile, over in Vienna there’s Stereotyp. He and the Al Haca posse kick out the big-dirty-bass riddims as well. Let’s not forget Philly’s Starkey supplying nuff bass hugeness. Then, across the pond there’s Toddla T outta Shefield U.K.. Down south in Austin, TX there’s Bird Perterson. And further down south in Caracas, Venezuela Pacheko and Cardopusher are shooting serious blasts of bass. There are many more in other parts of the world too.
Clearly some of these artist’s tunes could be said to fall into genres like dubstep, bloghouse, nu-dancehall, etc., but what ties them all together is what Sasha describes as “Menacing, bass-heavy productions with layers of electronic noise.”
One thing’s for sure; the Megasoid Thank Thong remix tape that Sasha advocates is awesome, so I’m reposting it here:
I made this for last month’s Samurai.fm mix and now I’d like to share it with y’all here. Check the tracklist below for lots-a juicy links to more info about the artists, tracks, and labels.
Also note the tracks Dear John and Exhibition Virtues (Hardcore Tonight Remix) which will be featured on the upcoming DJ C & Zulu album, Gods & Robots, out May 13th in the Mashit Shop.
DJ Donna Summer (AKA Jason Forrest) asked me and a bunch of other crazies to remix his track Rock Rock Rock — the first single on his new Cock Rock Disco release Panther Tracks. The outcome is a 14-track, completely free download album of remixes by folks like Glowstyx, Aaron Spectre, Black Rabbit, and many more. It’s a wild variation of rave-o-licious treats. You can download the whole shebang for free at the CRD site ->
But first, a few individual tracks to wet your whistle:
MP3 Downloads DJ Donna Summer; Rock Rock Rock Remixes:
This post is inspired by a step-steeped day I had recently. While I was getting ready to head out for a night of dubSTEP with Caspa at Bass Goes Boom I was listening to the radio and learned that there’s a dance style called Chicago STEPping.
Chicago stepping is a name given to a dance that has evolved over the years from various other dances. Originally created in Chicago’s predominately African American neighborhoods, the dance has morphed from its beginnings with the Jitterbug in the 30s and 40s, to the Offtime in the 50s, to the Walk and the Chicago Bop in the 60s and 70s.
This revelation came on top of the fact that there’s a style of reggae called STEPpers which has been around at least since the ’70s.
In Steppers, the bass drum plays four solid beats to the bar, giving the beat an insistent drive. An example is “Exodus” by Bob Marley and the Wailers. Another common name for the Steppers beat is the “four on the floor”.
As far as I know there are no ties between Chicago stepping and steppers reggae, except that disco had a large influence on both.
Steppers reggae, especially ‘80/’90s U.K. steppers dub by artists like Iration Steppers, the Deciples, Alpha & Omega, etc., has a much closer connection to dubstep. This track by Alpha & Omega has a classic steppers sound:
This dubstep track by Skream has the steppers-reggae feel too:
Iration Steppers Live Video:
When I played at the Glade Festival in England last summer I noticed some of the sound-systems mixing up dubstep and more traditional steppers reggae. In fact, this mix by Skream from September, ‘06 is a good example:
One of the aspects of dubstep that holds my attention is that there are so many influences at work on the various tentacles of the genre. Sometimes you can hear the strong U.K.-garage influence, other times drum-n-bass, and quite often reggae, dub, soca, dancehall, and steppers.
Last month I DJed the Sublow Bounce party in Milwaukee. It was a blast and the kind folks who put it together also recorded my set. I’m not sure weather I should be happy about that or not ’cause it features drunken mixing and Serato glitching when folks were jumping up and down on the wood floors of the barn-like club. The fact that folks were jumping though suggests that in their drunken state they thought the mix was good. The moral of the story is get drunk and listen to this mix.
Chapel Hill, NC-based Apple Juce Kid sent me his remix of Van Halen’s 1984 classic Jump a while back. He said I should feel free to re-remix it if I felt so inclined so I did. Well, actually I didn’t do much to it but lay the Supremes You Keep Me Hangin’ On acapella on top. Here’s what it sounds like:
The Apple Juce Kid isn’t your run-of-the-mill, Myspace-havin’, bedroom mashup DJ. He’s an accomplished drummer and producer who’s been winning beat battles from coast to coast:
Apple Juce Kid at a beat battle in NYC
He and Suede from Camp Lo also have a group called Freebass 808 who’ve been pumpin’ some heat too:
Freebass 808 live
I highly recommend his version of Clocks by Coldplay which completely kicks ass on the original. It’s available as a free download at HisSpace ->
Our friends El Kano from London’s Adverse Camber crew and Hanuman of Bristol’s Monkey Steak have faced off in the ultimate sound-crash and below you can hear the outcome: 50 minutes of global wreckage for your sound-system.
once you’ve consumed this mix make sure to check out some of the other wicked mixes by these two:
This is also a teaser of sorts for the upcoming DJ C & Zulu Gods & Robots mixtape which will feature an original Atki2 (of Steak House) production with Zulu.
A couple months back we posted a bunch of Zulu’s a capellas here and challenged folks to “download - remix - upload.” Many of the wicked tunes that we got back will be featured on the upcoming Gods and Robots Mixtape; a 31-track, 1-hour continuos DJ C mix of Zulu’s vocals backed by hype party tracks from producers the world over (Argentina, Belgium, Canada, England, Israel, Portugal, and cities across the U.S. are all represented). Guest vocal appearances by Los Angeles rappers Aceyalone and Jah Orah, plus Tel Aviv singer Onili, round out the productions by artists like Montreal’s Ghislain Poirier, Brooklyn’s David Last, Tel Aviv’s Sabbo, and many others. The mixtape will be followed by a Gods and Robots EP, but more on that later.
Gods and Robots Sketch by Jeekoos and Michelangelo
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